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American Paratroopers by James Dietz
AmmoLand features famous military artists from time to time as they are an integral part of the firearms history or shooting sports lifestyle.

American Paratroopers by James Dietz

Military Artist James Dietz

Staunton, VA --(AmmoLand.com)-A historical painting stands or falls on how well it depicts the story it is attempting to illustrate, and how convincingly it combines the people, their actions, costumes, surroundings and atmosphere in an appropriate composition. A good historical painting uses all of these elements to tell the major story and perhaps a second subtext. Both are driven by how interesting the situation is that the artist is attempting to render. How the viewer reacts to a great painting transcends its immediate story and strikes a deeper chord, one that hopefully evolves and changes as the viewer contemplates the art over time.

It is this last and most worthy goal that artists like James Dietz aspire to. In his portrait of events in the 20th and 21st Centuries, he labors to achieve that rare combination of historical fact and the romance, adventure and color of fiction.

Born in San Francisco, Jim graduated from Art Center College of Design in 1969. He had a successful illustration career in Los Angeles and New York, with a steady flow of work ranging from automobile ads, movie posters, and romantic and historical/action book covers.

By 1978, Jim and his wife had moved to Seattle, where Jim’s work gradually shifted away from commercial illustration to primarily historical aviation, automotive and military art. Today his work is internationally known and collected, and his style, with its emphasis on depth of story, is recognized by collectors of historical art. His list of clients includes Boeing, Bell Helicopter, Federal Express, Allison, Cessna, Flying Tigers, the Indianapolis 500, BMW, US Air Force Documentary Art Program, Wingnut Studios, Meadowbrook and Pebble Beach Concours d’Elegance, the National Guard and many U.S. Army organizations and associations to include: the 82nd Airborne Division, the 101st Airborne Division, U.S. Army Rangers, Special Forces, 1st Division, 2nd Division 3rd Division, 4th Division, 1st Cavalry Division, 11th Armored Cavalry Regiment, 173rd Airborne Regiment, the Command General Staff College, and the United States Army War College.

About:
Jim and his wife, Patti, live in Seattle with their dog, Sarah, who shares the distinction with previous Dietz pets, of being a regular in Jim’s paintings. Their son, Ian, is currently an officer serving in the U.S. Army. Jim works in a warm, pleasantly cluttered studio that resembles a WWI aviation bar, surrounded by uniforms, props and models that have made their way into paintings over the years.

You can buy your own Framed copy of this print at ImageKind.

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We Happy Few – 82nd Airborne Division, 101st Airborne Division, 29th Division, 2nd Armored Division, U.S. Army Rangers
by James Dietz
AmmoLand features famous military artists from time to time as they are an integral part of the firearms history or shooting sports lifestyle.

We Happy Few - 82nd Airborne Division, 101st Airborne Division, 29th Division, 2nd Armored Division, U.S. Army Rangers

Military Artist James Dietz

Staunton, VA --(AmmoLand.com)- General Omar Bradley, commanding the First U.S. Army, had waited anxiously for the linkup of Omaha and Utah beachheads before declaring success in the American sector following D-Day. He considered this final event critical before the Allied invasion of Europe could be put into full swing. His concern over the linkup delay was confirmed when he received an Ultra flash from British intelligence at Bletchley Park indicating the German high command was aware of a gap existing between the American V and VII Corps. They ordered the 17th SS Panzergrenadier Division to counter attack and split the two forces. It is interesting to note that this was one of the few times that information obtained from the German Enigma Code breaking was deemed so critical it was passed to a tactical commander. Such intelligence had previously been withheld for fear of tipping the Germans to the fact their secret code system had been broken.

For days the American Parachute Infantry had been engaged in combat with the German Army’s 6th Parachute Regiment in the vicinity of Carentan. It was now D+7, June 13, 1944. “…what a wonderful sight it was to see those tanks pouring it to the Germans with those heavy 50-caliber machine-guns and just plowing straight from our lines into the German hedgerows with all those fresh infantry soldiers marching along beside the tanks,” remembers then LT Richard Winters who commanded Easy Company, 506th Regiment of the 101st Airborne Division, “the band of brothers.” The scene, which followed, has finally been captured by renowned military artist James Dietz in We Happy Few. Infantry from the National Guard’s famed 29th Division, supported by the 2nd Armored Division’s “Hell on Wheels,” had raced forward to relieve the airborne troops from the 82nd and 101st Airborne Divisions seizing and holding ground since their historic jump on the eve of D-Day. What a joyous occasion it had to be as the American airborne, joined by the grateful French civilians, welcomed the arriving ground troops.

Clearly there was a difficult task ahead. Tragically many of the joyous American soldiers depicted in the print would not be there for another happy day, May 8, 1944, some eleven months later when Germany finally surrendered. But for a moment, they were “We few, we happy few.” The suffering and sacrifice of the past week was behind them, and they could briefly pause to enjoy a moment in time. This very historic moment, previously not depicted, is captured here in dramatic detail by the artist whose works continue to capture the American soldier in the best of times and the worst of times. The Band of Brothers is seen swapping tales with the Blue and Gray 29ers from Omaha Beach before heading to defensive positions in Carentan. The tankers of Hell on Wheels share smokes with the “All Americans” before beginning their difficult sweep across France. It is a scene which passed quickly, but is now reborn in the superb detail of this historic print.

Generals Eisenhower and Bradley were greatly relieved with the news of the successful linkup. At noon on the next day, July 14, 1944, XIX Corps, comprised of the 29th and 30th Divisions, was formed and ordered to attack south to St. Lo, while protecting the critical area between V and VII Corps. V Corps with the 1st and 2nd Divisions would link up with the British and continue attacking south, while VII Corps with the 4th and newly arrived 9th and 90th Divisions would continue west to capture Cherbourg. Any chance for the Germans to split the corps’ seam had been eliminated. The Allies were beyond the beachhead, and Germany’s fate had been sealed by American soldiers like those depicted in We Happy Few.

About:
Jim and his wife, Patti, live in Seattle with their dog, Sarah, who shares the distinction with previous Dietz pets, of being a regular in Jim’s paintings. Their son, Ian, is currently an officer serving in the U.S. Army. Jim works in a warm, pleasantly cluttered studio that resembles a WWI aviation bar, surrounded by uniforms, props and models that have made their way into paintings over the years.

You can buy your own Framed copy of this print at ImageKind.

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